Close-up of a young man's hands resting on an open notebook on a wooden desk, natural north-facing window light falling across the page, a pen mid-rest, warm and unhurried
Close-up of a young man's hands resting on an open notebook on a wooden desk, natural north-facing window light falling across the page, a pen mid-rest, warm and unhurried
/ Still Thinking

I document thinking because the record is the work.

I started filming to understand things I couldn't explain yet. The camera became a way of slowing down — not performing insight, but chasing it honestly.

— The method

The content comes from a genuine question — why does attention slip, where does an idea actually come from, what makes a thought worth keeping. Not a desire to give answers.

Curiosity, not optimization

Documentary filmmakers don't fix their subjects. They observe them long enough to understand something true. That's the approach here — to the work and to myself.

A record, not a resume

How the thinking developed

2020

Started filming as a way of thinking out loud. No audience in mind — just a camera and a question I couldn't yet answer.

2021

First essays published. Found that writing before filming sharpened the question — sometimes dissolved it entirely, which was also useful.

2022

Crossed 10,000 subscribers without changing the approach. Learned that depth and reach aren't as opposed as the algorithm suggests.

2023

Launched the newsletter. The conversation there is slower, more considered — closer to what the work is actually about.

Now

Still asking the same questions. The answers keep getting more specific, which feels like progress of the right kind.

The essays are where the thinking lands.